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Eames PSCC Chair

Inspired by Charles Eames

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Your discount price: 158 €

Normal price: 226 €

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Our promise

  • 10 years guarantee
  • +300.000 happy customers
  • Identical to the originals

Our promise

  • 10 years guarantee
  • +300.000 happy customers
  • Identical to the originals


Iconic designs. Uncompromised quality. Impressive prices.

  • 5 year guarantee
  • 30 Day Return Policy
  • Order Free Samples

The product

  • Versatile enough for use outside an office
  • Also available in an upholstered variation
  • A glimpse of Charles Eames inspiration in your home

The legendary Charles Eames PSCC Chair blends the formal experimentation of the DAW and DSR range with the strong metal frame of the Aluminium group. This fascinating hybrid design illustrates Eames' radical appraoch but also his own ability to identify what his biggest successes were. Our VOGA.com reproduction of the PSCC has the ability to be both bold or subtlely incorporated into your dining room or lounge. It would be perfect if you are after the comfort and support of an office chair, but with the unusual style Eames' plastic and fibreglass pieces provide.

The story behind the Charles Eames PSCC Chair

The office reimagined. Drawing from his own work spaces, Eames spent a great deal of the 1950s working on bringing phenomenally functional, tough and fun designs into the drab offices he saw everywhere around him. The PSCC draws on Eames' complete mastery of fibreglass moulding and his understanding of how to produce resilient metal frames for office use. PSCC stands for Pivot Side Chair Cast Base on Castors which clearly indicates the functional awareness that Eames brought alongside his thrilling eye for curves and smooth edges.

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The details

  • Product Number : CHA193
  • Volume m3 : 0.2070
  • Width : 46 cm
  • Height : 81 cm
  • Depth : 52 cm
  • Seating height : 46 cm
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About the Designer

Charles Eames

Charles, 1907-1978 (United States) - Ray, 1912-1988 (United States)

Charles Eames was an American designer and innovator who pioneered new techniques, such as the fibreglass and plastic resin moulding and wire mesh frames. He usually worked alongside his wife, Ray, though he is often credited alone. In the 1940s, the designers began focusing on the new plastics and were excited by the properties the material held. They were able to mould the plastics into organic shapes that followed the shape of the body. This discovery led to a whole new look in furniture that perfectly captured the spirit of the times. The couple’s most iconic designs include the DAR chair, the DSR Dining Chair, the RAR Rocker, the DSW Dining Chair, the EA 108 Office Chair and the Wire Base Table. Many of these were first presented at the New York Museum of Modern Art’s Low-Cost Furniture Design Competition in the late 1940s.

"The details are not the details. They make the design."

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