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PK22 chair black

Inspired by Poul Kjærholm

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Your discount price: 405 €

Normal price: 579 €

Thick Semi-aniline Leather

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D, H: M: S

Our promise

  • 10 years guarantee
  • +300.000 happy customers
  • Identical to the originals

Our promise

  • 10 years guarantee
  • +300.000 happy customers
  • Identical to the originals


Iconic designs. Uncompromised quality. Impressive prices.

  • 5 year guarantee
  • 30 Day Return Policy
  • Order Free Samples

The product

  • Minimalist and elegant design from 1956
  • Winner of the Milan Triennale in 1957
  • Inspired the ancient Greek Klismos Chair
  • Available in thick semi-aniline leather or soft cow skin

The PK22 Chair is understated elegance at its best. A minimalist's dream, the chair is modest in means, but rich in expression - a sentiment that is often used to describe Kjærholm's work. Our Kjærholm-inspired PK22 Chair is as stylish and deceptively comfortable as the original. From the fine but sturdy steel frame to the slender seat, every aspect has been carefully considered.

The story behind the PK22 Chair

Designed in 1956, the PK22 Chair was inspired by the light, elegant Klismos Chair of ancient Greek. In his creation, Kjærholm simplified the chair into three elements: legs, seat and connecting clamps. The design propelled Kjærholm into the spotlight, winning the Grand Prix at the Milan Triennale in 1957.

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The details

  • Product Number : CHA090300
  • Volume m3 : 0.3127
  • Packaging Dimensions : 66 x 66 x 76 cm cm
  • Material : Thick Semi-aniline Leather
  • Colour : Black
  • Width : 64 cm
  • Height : 70 cm
  • Depth : 64 cm
  • Seating height : 34 cm
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About the Designer

Poul Kjærholm

1929-1980 (Denmark)

Unlike his Scandinavian contemporaries who worked primarily with wood, Poul Kjærholm’s passion was steel. He liked to combine the cool beauty of the metal with other materials such as wood, leather, cane or marble. “Steel’s constructive potential is not the only thing that interests me; the refraction of light on its surface is an important part of my artistic work. I consider steel a material with the same artistic merit as wood and leather,” he commented.

"And we should try to keep our designs as simple as possible."

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